For The Record | Issue 20
Bob and I
Then I hit teenagehood and started using hair products. Desperate to fit in, I boxed up Highway 61 Revisited and bought The Backstreet Boys’ platinum-selling Millennium. I tried really hard to like it, but nothing ever clicked the way Dylan did. I suppose Rolling Stone’s “Greatest Songwriter of All Time” is a tough act to follow. With the best intentions, my Dad had inadvertently set me up for a lifetime of musical disappointment. The bar had been set. High.
Musical fads came and went, and I shamelessly dove into each one as fervently as the last. Posters in my room changed as I got older: from Weezer to Kanye; Sonic Youth to MGMT; Bon Iver to Arcade Fire. But I never externalised my love of Bob. I never built a shrine, or publicly worshipped the man. I neither preached nor proselytised.
Yet Dylan’s music has affected me more than any other artist. When I’m feeling down, I listen to Bob and feel like my suffering has some meaning. When I’m feeling happy, I blast Bobby D and feel even happier. When I really start to indulge in nihilistic angst, I play The Times They Are a-Changin’ and almost instantaneously everything feels profound. This Machine Kills Apathy.
Last year, on a cold Auckland night, I found myself waiting for a taxi in front of the Sky Tower. A rickshaw driver was set up next to me, also waiting. Business was slow, traffic was slower. We stood in silence, made awkward by our proximity, until he blurted out: “Hey kid, you look like a young Bob Dylan, you know that?” My hair was longer then, curlier, and I was wearing a Dylan-esque polka-dotted shirt, but even I never would have compared myself to “the man”. To this day, I’ve received no better compliment.
For the record, I’ve never been a religious man. And I’ve never known no God up in the sky. But I tell you, I’ve been saved time and time again by the great Bob Dylan.